Gabriele, a native of Neuilly it has installed Roussillon in the past twenty years.
Gabriele is a dreamy girl who takes refuge in a real world, hers: Reading, drawing.
Gabriele is passionate before it drew about writing.
From an early age, she had all the first prizes in drawings and paintings. At 16 she enrolled at the School of Fine Arts in Perpignan. Gabriele is invested in art.
At 18, she left England to spend a year, taking easel and brushes
And later, Italy, Ancient Greece, the Rembrandt Museum which are all human experiences and culturally.
Gabriel is talented and is a self who often buys works of art, or chronic ancient civilization around the corner that person does indeed calls.
It continues to draw and paint.
The beauty of nature to its beginnings is its main inspiration but soon, an underground spring called a perception abrupt, powerful elusive timeless, unconditional and dwells. SCULPTURE.
Attracted by the stone sculpture as it is obvious.
Finally free of any coercion Hardware, family and social life, the artist sets up shop in a garden near a lake that brings him she wanted quiet.
Gabriele is released. through its first stones she urged her feelings, and his first aerated concrete blocks allow it easily to find its style is rooted as the dream world in which it plunges.
His unique style through his sculptures are unlike any known work but none is identical to another. His ill-being transparent understanding insidiously and leaves messages to each of his works. His friends urge to come forward. they say "there is really something powerful that emanates from your works! ".
Original sculptures unique steep, influence geometric primary, which may be loopholes or illusory benchmarks aesthetic of an interior or outside ornaments admirer depending on the season. Aerated concrete life would be in the hands of Gabriele SAINT-OUEN it under the light beam angles sculpture.
She chose her artist name: Gabriele.
THE WORK
We notice immediately geometric symbols in the works of Gabriele
The sculptures have GABRIELE inspiration for the faces of man carved on one side, the lines are archaic and back to the origin of man. Lost consciousness.
The eyebrows are prominent, the eyes can be opened to mark the projection towards the future or being closed to express wisdom.
The nose is often large, law and amazed; mouth still closed to express humility of the man facing the grandeur of the universe.
All the sculptures are created without a model and are therefore unique.
The sculptures have a gross appearance that make their strength.
